Women Transforming Into Men Egyptian Painting Sennefer Tomb Art

(50–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history grade or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Every bit with other subjects, well-nigh of what we learn about art history today still centers on white men from Europe and, later, the Usa. In reality, there are then many more than artists of all genders to learn from and capeesh.

Here, we're specifically taking a wait at just some of the women who have had lasting impacts on their art forms. From some of the art world'southward most iconic pioneers to its most unsung heroes, these women artists all had a mitt — and, in some cases, still accept a paw — in changing the globe of art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming all-time known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Ii photographs from Cindy Sherman'south Untitled Film Stills (1977–80). serial. Photos Courtesy: Museum of Modern Fine art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her serial of Untitled Pic Stills (1977–eighty) — cocky-portraits in which Sherman "posed in the guises of various generic female motion-picture show characters, amid them, ingénue, working girl, vamp, and solitary housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'due south influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a picture of the installation One-half-A-Room, 1967, as seen at the Museum of Modern Art in New York Urban center in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might start think of Yoko Ono as a musician and activist, but she'south besides an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance fine art move, earning the nickname the "High Priestess of the Happening".

Ane of her most revered works, Cut Piece, was a performance she beginning staged in Japan; Ono sat on stage in a nice suit and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut away pieces of her clothing. "Art is similar breathing for me," Ono has said. "If I don't practise information technology, I outset to asphyxiate."

Betye Saar

Betye Saar'south Blackness Daughter's Window, 1969 (full and detail). Photos Courtesy: Museum of Mod Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in turn, function of the trajectory of fine art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and aggregation, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the fob is to seduce the viewer," Saar has said. "If y'all can become the viewer to look at a work of art, then you might exist able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'southward 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'due south rare to find someone who hasn't at least heard of Frida Kahlo. A cocky-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo oft used bold, vivid colors to create her symbol-rich works, and was regarded as one of the most influential artists of the Surrealist move.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'southward Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she'southward besides known for her hyper-real sculptures, polka dots, installations, and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

One-time Showtime Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama'south portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, oft doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that yous recognize Sherald's piece of work — and her signature grayscale peel tones — every bit she was the first Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Serial Carmine With Xanthous in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'due south landscapes, flowers, skulls, and, just mayhap, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York fine art globe, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden Lion for best artist in Okwui Enwezor's biennial exhibition All the Globe's Futures, function of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Metropolis. She used her work to question society, identity, and racial politics past demanding the audience to face up truths about themselves. She oftentimes challenged people on the streets of New York to approximate her race, socio-economic class, and gender — all while dressed as a Black homo with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took identify. She is best known for her photography, picture, and video work, much of which explores the human relationship between Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in forepart of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, knowledge, and hope. I of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore's fine art addresses identity and history — and, in detail, houselessness and the voicelessness of the Beginning Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Indigenous North American civilisation. In 2005, she was the commencement Ethnic woman to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Conservative is better known for her installation fine art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Niggling Sense of taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past popular culture and popular art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Fine art movement. As exemplified in her iconic work The Dinner Party, her installation pieces oft examine the role of women in history and culture — in the 1970s and before. While at California State University in Fresno, Chicago founded the first feminist art programme in the United States.

Augusta Savage

Augusta Savage with ane of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Fine art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In improver to creating breathtaking sculptures, often of Black folks, Fell founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years afterward, she became the starting time Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Fine art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "torso art". (Just wait up her well-nigh famous piece of work, Interior Coil, and you lot'll run into what nosotros mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In add-on to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her last name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of large-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa's terminal public commission was the Garden of Remembrance at San Francisco State Academy, which was created to recognize Japanese Americans who were interned during World War 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of nine. She uses her photography to examine social norms, and, in doing then, displays various subcultures in formal portraits — simply in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Touch on Award at the Indiecade Festival in 2020 and the Creative Honour from the Gender Justice League in 2016. She believes didactics is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstruse Expressionist painter who too specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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